1.0Frans Brood Productionshttps://fransbrood.com/en/rich600338<blockquote class="wp-embedded-content" data-secret="OjAFY3EbM1"><a href="https://fransbrood.com/en/productions/a-wave/">A Wave</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://fransbrood.com/en/productions/a-wave/embed/#?secret=OjAFY3EbM1" width="600" height="338" title="“A Wave” — Frans Brood Productions" data-secret="OjAFY3EbM1" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> https://fransbrood.com/wp-content/uploads/2026/05/R1-02189-0011bew-1-1920x1514.jpg19201514Zoë Demoustier / Opera Ballet Vlaanderen In the 1980s, a wave of radical dance innovators emerged from the triangular relationship between Brussels, Ghent and Antwerp. Anne Teresa De Keersmaeker, Wim Vandekeybus, Marc Vanrunxt, Alain Platel, Jan Fabre and many others gradually made their way into Belgian theatres with their unconventional performances. In no time at … Continued