Rosas is the company of the choreographer and dancer Anne Teresa De Keersmaeker. It was founded in 1983 during the creation of the piece Rosas danst Rosas. Since her debut in 1982 with Fase, Four Movements to the Music of Steve Reich, De Keersmaeker has been engaged in a rigorous exploration and articulation of movement, from its … Continued
Born in 1978 in Belgium, Miet Warlop received a master’s degree in visual arts from the Royal Academy of Fine Arts of Ghent. In addition to her performance work for theatre venues, Miet Warlop has created and presented an ever-growing cycle of visual art performances, interventions and live installations. She has been populating European performance … Continued
Circus Ronaldo has been working in the national and international circus landscape for more than forty years. Circus Ronaldo promotes the Flemish circus art in Europe and beyond.Their performances are constantly looking for powerful formulas, captivating theatre, original combinations and themes that activate the emotions that are most needed at that moment. – Tribute to … Continued
Alexander Vantournhout Not Standing was founded by choreographer Alexander Vantournhout. Alexander Vantournhout (Brussels, 1989) studied cyr wheel and juggling at ESAC (Ecole Supérieure des Arts du Cirque) and contemporary dance at P.A.R.T.S. (Performing Arts Research and Training Studios) in Brussels. Alexander Vantournhout’s physical language bears the influences of a varied education and working circumstances. However, … Continued
“One of the most engaged choreographers of his generation, Serge Aimé Coulibaly casts a keen and kindly eye on the world, to inform dance that drinks from every spring.”– La Biennale de la Danse Lyon – Faso Danse Théâtre was founded in 2002 by Serge Aimé CoulibalyThroughout his different creations, the Belgian-Burkinabe choreographer explores complex … Continued
Peeping Tom is a Belgian dance theatre company, founded in 2000 by Gabriela Carrizo and Franck Chartier. Peeping Tom’s main trademark is a hyperrealist aesthetic, underpinned by concrete scenography: a garden, living room and cellar in the first trilogy Le Jardin (2002), Le Salon (2004) and Le Sous-Sol (2007), two residential caravans in a snowy … Continued